DROPPING JANUARY 6, 2022! The January 6 attack on the US Capital was, to me at least, an expression of the worst kind of ‘love’ - a frenzied and hysterical devotion to everything antithetical to the ‘love’ that I believe in. This song, written a couple weeks after the assault on our democracy, reflects on this dichotomy - when love becomes so

DROPPING JANUARY 6, 2022! The January 6 attack on the US Capital was, to me at least, an expression of the worst kind of ‘love’ - a frenzied and hysterical devotion to everything antithetical to the ‘love’ that I believe in. This song, written a couple weeks after the assault on our democracy, reflects on this dichotomy - when love becomes so distorted it actually becomes the opposite of love. Don't we all hate that kind of love?

This empowering song speaks to what it is to be human. To experience life’s myriad tragedies and triumphs, knowing ultimately . . . It. Will. All. END. Moving from a dreamy instrumental start, thru a building mid-section, to an anthemic, uplifting outro, Halliday borrows from Dylan Thomas in her final lyrics: We may scream and fight ‘that quiet

This empowering song speaks to what it is to be human. To experience life’s myriad tragedies and triumphs, knowing ultimately . . . It. Will. All. END. Moving from a dreamy instrumental start, thru a building mid-section, to an anthemic, uplifting outro, Halliday borrows from Dylan Thomas in her final lyrics: We may scream and fight ‘that quiet good night’ but it’s just love in the end that matters. 

Pandemics. Disasters. Chaos. Fear. Are these the Dark Ages all over again? This sense of the medieval permeates ‘The Measure’, which blends evocative vocals and 12-string guitar with the dark sounds of a viola da gamba to create a haunting song that reflects on the ebb and flow of light to darkness–and back again–that is ‘the measure’ of all human

Pandemics. Disasters. Chaos. Fear. Are these the Dark Ages all over again? This sense of the medieval permeates ‘The Measure’, which blends evocative vocals and 12-string guitar with the dark sounds of a viola da gamba to create a haunting song that reflects on the ebb and flow of light to darkness–and back again–that is ‘the measure’ of all human experience.